dc.rights.license | https://creativecommons.org/licenses/by/4.0/legalcode.de | |
dc.contributor.author | Barrière, Louise | |
dc.date.accessioned | 2021-09-27T14:43:01Z | |
dc.date.available | 2021-09-27T14:43:01Z | |
dc.date.issued | 2021 | |
dc.identifier.issn | 2512-5192 | |
dc.identifier.uri | https://www.genderopen.de/25595/2152 | |
dc.description.abstract | This article approaches German punk-feminist festivals as underground spaces for informal teaching and learning practices. In doing so, I participate in a discourse of understanding festivals not merely as events where an audience socializes and consumes live music, but also as educational stage. Drawing on former research on grrrl zines activism, I question the influence of bell hooks’ “pedagogy of hope” on punk-feminist movements. In a first approach, I demonstrate how German punk-feminist festivals foster a hopeful activism, which aims to transform both the independent music scenes and the society at large. Yet, in the concluding section of this article, I explore the ways in which these festivals keep centering white people’s experiences, which appears as limiting the forcefulness of their activism. | |
dc.language.iso | eng | |
dc.subject | Feminismus | |
dc.subject | Frauenbewegung | |
dc.subject | Musik | |
dc.subject | Pädagogik | |
dc.subject | Soziale Bewegung | |
dc.subject.ddc | 300 Sozialwissenschaften | |
dc.title | Underground Pedagogy of Hope? : German Punk-Feminist Festivals as Education in Feminist Theories and Actions | |
dc.type | article | |
dc.identifier.doi | http://dx.doi.org/10.25595/2146 | |
dc.source.pageinfo | 1–19 | |
dc.type.version | publishedVersion | |
dc.source.journal | Open Gender Journal | |
dc.source.volume | 5 | |
dc.identifier.pi | 10.17169/OGJ.2021.84 | |
local.type | Zeitschriftenartikel |